Metamorphic Postcard, c.1900 ©Richard Harris Collection/Wellcome Images

The Wellcome Collection’s strapline is ‘A free destination for the incurably curious’ which is both inviting and flattering. It’s easy to get blasé about the tremendous amount of stuff to do and see in London. Sometimes it’s overwhelming and you perversely end up doing nothing, prematurely exhausted by the ever-expanding list of wondrousness on offer. However, the Wellcome Collection is always worth a look, this time more than ever.


June Leaf, ‘Gentleman on Green Table’ 1999-2000 ©Edward Thorp Gallery and the artist

The current exhibition Death: A Self-portrait is showcasing some 300 works from former antique print dealer Richard Harris’ impressive 2000 plus collection of artefacts devoted to the iconography of death and our attitudes towards it. This exhibition is of course perfect for the Wellcome Collection as medicine is ever at war with death and it ties in nicely with the permanent exhibition. Death: A Self-portrait is split into 5 themed rooms, Contemplating Death, The Dance of Death, Violent Death, Eros and Thanatos and Commemoration.


John Isaacs ‘Are you still mad at me?’ ©Wellcome Library, London

The collector and curator Richard Harris cuts a dapper figure in velvet trousers, an insouciant pocket chain and a poloneck cashmere sweater. I ask him about one of the central pieces, ‘Are you still mad at me?’ by British artist John Isaacs. A life size resin cast of a semi-devoured body exposing guts, bones and half a jawbone is perched on an art transport box covered in scribbles and airline stickers with a mawkish portrait of a young girl from the ‘school of Woolworth’ at one end. He said he loved it on sight and shows me how calm the back view appear, seemingly bathed in a shaft of light so divine it could be a person meditating; yet the front view is decidedly grotesque. Displaying it on the box it came in rather than the original white plinth was Richard Harris’ idea, which Isaacs rather liked. Another stunning piece is Jodie Carey’s spectacular steel, plaster and wire chandelier, ‘In The Eyes of Others’ (2009), which is one of the three in Harris’ possession. It consists of 3000 plaster-cast bones and is breath taking.


Jodie Carey ‘In the Eyes of Others’ (2009) ©Jodie Carey

This exhibition seamlessly blends works by artists as diverse as Goya, Warhol, Dix and Mapplethorpe with Eustachi’s 16th century anatomical drawings and exquisite netsuke miniatures and Tibetan Chitipati art. The idea of death is a core fascination for all human beings – it’s the one thing that’s definitely going to happen to all of us and we should use death to understand life.

Death: A self-portrait | The Richard Harris Collection
Till 24th February 2013
The Wellcome Collection
215 Euston Road
London NW1 2BE

Words by Anna Bang


Marcos Raya. Untitled (family portrait: group), 2005 ©Marcos Raya


Tabulae sceleti et musculorum corporis humani, 1749  ©The Richard Harris Collection


Japanese Ivory Okimono, c.1880 ©The Richard Harris Collection


The Skull Series; number 8 of 12 – Mondongo Collective  ©Mondongo Collective


Francisco Goya ‘Grande hazana! Con muertos!’ ©Wellcome Images, Courtesy The Richard Harris Collection

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